Making Music (2016)
A productive conference tea break conversation with staff from Making Music has led to a new project now underway, aiming to explore the impact of amateur music-making on its local communities. We began in December 2016 with an online survey, receiving an overwhelming 550+ responses which we’re still working through.
Youth Music Project (2014 - 2015)
Following our collaboration on the Arts Enterprise-funded project researching the impact of Music in the Community, Stephanie Pitts and Polly Ives worked together again on a Youth Music project exploring the links between music and language learning in children at risk of developmental delay. This exciting project brought a new collaboration with Sheffield City Council’s inclusion team and the ‘Every Sheffield Child Articulate and Literate’ (ESCAL) programme, which allowed us to track the children’s language development across a year of music workshops, and to consider whether and how musical activities have contributed to social interaction and language confidence. Arts Enterprise at the University of Sheffield provided some extra funding so that we could start the research straight away, so Stephanie Pitts and Katy Robinson visited four nursery settings in Sheffield throughout May and June 2014, and Kate Thompson took over research assistant duties for the remainder of the year. We observed workshops, talking to practitioners and parents, and expanding our research skills to understand the perspective of three year olds armed with percussion instruments! Publications from the project are now available, including an online article in International Journal of Education and the Arts
‘Dropping in and dropping out: investigating partial and lapsed arts engagement’ (2013)
Stephanie Pitts was awarded an AHRC Cultural Value grant to explore themes of ‘Dropping in and dropping out: investigating partial and lapsed arts engagement’. This work built on Stephanie’s book, Valuing Musical Participation (Ashgate, 2005), by asking challenging questions about why people stop attending concerts or belonging to amateur ensembles, and whether there is a potential crossover of audience loyalty from one art form to another. The project included several linked studies: ‘The violin in the attic’ which aimed to explore how the benefits and costs of musical participation are articulated by those who no longer actively participate, and ‘Loyalty and its limitations – exploring cultural value across art forms’, where the ‘audience exchange’ used in some of our later projects first took shape. Katy Robinson was appointed as research assistant to the project in October 2013.